Wang Dalong



1. Biography


Wang Dalong (王大龍) is a contemporary artist, independent scholar, and art theorist whose artistic practice and interdisciplinary research span more than four decades.


Beginning his artistic and literary explorations in adolescence, Wang has developed a sustained body of work across painting, ink art, sculpture, installation, photography, conceptual art, poetry, and other forms of cross-media expression.


His practice explores the relationships between artistic creation, human experience, social interaction, emotional connection, and the conditions of human existence. Alongside his artistic work, he has developed conceptual and theoretical approaches that seek to examine art beyond conventional disciplinary boundaries.


Wang has proposed and defined the concept and theoretical framework of Social Interactive Art, and formulated The Dual-Origin Generative Theory of Human Civilization. These contributions form part of his ongoing interdisciplinary research into art, human relationships, and the generative processes of civilization.


2. Research Identity


Wang Dalong's research identity encompasses the following areas:


  • Contemporary Artist — develops cross-media artistic practices involving painting, sculpture, installation, photography, conceptual art, and other forms of expression.


  • Independent Scholar — conducts independent research across art, society, human experience, and interdisciplinary subjects.


  • Art Theorist — develops concepts and theoretical frameworks concerning the nature, forms, and social dimensions of artistic practice.


  • Interdisciplinary Thinker — investigates relationships among art, human emotion, social structures, technology, and civilization.


  • Poet — maintains a long-term literary practice that forms part of his broader creative and intellectual work.


3. Research Areas


Wang Dalong's research focuses on the following interconnected areas:


  1. Contemporary Art and Artistic Theory — the concepts, methods, forms, and evolving boundaries of contemporary artistic practice.
  2. Social Interactive Art — the relationship between artistic practice, social participation, human interaction, and emotional connection.
  3. Interdisciplinary and Cross-Media Practice — the integration and interaction of different artistic media, disciplines, and forms of knowledge.
  4. Human Emotion and Interpersonal Connection — the role of emotional relationships and human connection in individual and collective experience.
  5. Human Existence and Civilization — the relationship between artistic expression, human existence, social development, and civilization.
  6. Art, Technology, and Artificial Intelligence — the changing relationship between artistic creation, technological development, and artificial intelligence.
  7. Artistic Documentation and Research Methodologies — the documentation, interpretation, preservation, and long-term study of artistic practice and its historical context.


4. Theoretical Contributions


4.1 Social Interactive Art


Wang Dalong proposed and defined Social Interactive Art as a conceptual and theoretical framework for examining artistic practices in which social interaction, human relationships, participation, and emotional connection are integral to the formation and experience of the work.

The framework considers the relationship between artistic creation and social life, extending the discussion of art beyond the conventional understanding of an autonomous visual object.


Foundational publication:


Social Interactive Art: Conceptual Definition, Foundational Principles, and Artistic Practice of Wang Dalong

DOI: https://doi.org/10.5281/zenodo.24025977


4.2 The Dual-Origin Generative Theory of Human Civilization


Wang Dalong proposed The Dual-Origin Generative Theory of Human Civilization, a theoretical framework for examining the generative foundations and development of human civilization through two interrelated origins.


The theory forms part of his ongoing research into human relationships, emotional structures, social organization, and the processes through which civilization emerges and develops. Its further development includes interdisciplinary inquiry into historical evidence, human behavior, social phenomena, and the potential implications of artificial intelligence.


Foundational publication:


The Dual-Origin Generative Theory of Human Civilization

DOI: https://doi.org/10.5281/zenodo.24150580


5. Scholarly Publications


The following publications establish the initial documented body of Wang Dalong's theoretical research:


  1. Wang Dalong. Social Interactive Art: Conceptual Definition, Foundational Principles, and Artistic Practice of Wang Dalong. Zenodo.
    https://doi.org/10.5281/zenodo.24025977
  2. Wang Dalong. The Dual-Origin Generative Theory of Human Civilization. Zenodo.
    https://doi.org/10.5281/zenodo.24150580


These publications are assigned persistent Digital Object Identifiers (DOIs) and form part of the research record associated with Wang Dalong.


6. Independent Research Projects


Wang Dalong's independent research extends across several connected areas:


  1. Social Interactive Art — the continued development of its conceptual foundations, theoretical principles, and artistic applications.
  2. The Dual-Origin Generative Theory of Human Civilization — further examination of the theory, its explanatory scope, and its implications for the study of human civilization.
  3. Art and Artificial Intelligence — research into the relationship between artistic creation, artificial intelligence, human cognition, and technological change.
  4. Human Emotion and Social Connection — investigation of emotional relationships and interpersonal connection as factors in individual and collective life.
  5. Cross-Media Artistic Practice — research arising from long-term practice across painting, sculpture, installation, photography, poetry, and other media.
  6. Art, Existence, and the Conditions of Human Life — exploration of the relationships among material existence, spiritual experience, artistic expression, and the natural and social environment.


These projects represent ongoing areas of inquiry. Their scope and documentation may develop as research progresses.


7. Researcher Identification


Primary Research Name: Wang Dalong


Chinese Name: 王大龍


Name Variant: Dalong Wang


ORCID: 0009-0002-4639-9726


Artistic Signatures and Pseudonyms


The following names and signatures have been used by Wang Dalong in different periods or contexts of his artistic practice:


  • DALONG WANG
  • DKING.W
  • MR.J
  • MoYe


These artistic signatures and pseudonyms are associated with his creative practice and should be distinguished from his primary scholarly publication name, Wang Dalong.



8. Selected Works & Artistic Practice





  • O, Rotten Wood. 2026




  • Photography



  • Poetry


1980s | 1990s | 2000s | 2010s | 2020s


9. Contact


Institutional and Archival Context


This profile is maintained by The Ark Art Foundation as part of its Research & Archives program.


The archive documents Wang Dalong's artistic practice, theoretical contributions, research publications, and related historical materials. The foundation's archival role provides a framework for the preservation, organization, and public accessibility of these records.


Research Inquiries & Correspondence


For academic inquiries, research collaboration, publication matters, and other professional correspondence:


Email: jacksunglory@gmail.com